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Double vision

Lots of guys like breasts. But for filmmaker Russ Meyer these lumps of fat and gland were much more than a turn-on.
(Illustration by Byron Werner)

By John Metcalfe

Editors' Note

Issue 12: Obsession

By Last Exit Staff

The Medium is the Message

Searching the extrasensory world of the Spiritist for obsessors, guides, and good vibrations.

By Nicole Whelan

On Being a Sandy Blonde

What it means to have yellow hair in the Middle East.

By Sasha Costello

Evolved Already

In its pursuit of a wildly inventive sound, Animal Collective has become a minor phenomenon.

By Paul Menchaca

5 Questions Celia Farber

Celia Farber

For more than two decades, investigative journalist Celia Farber has doggedly pursued the stories about HIV/AIDS that the medical establishment didn’t want people to hear. We talk with her about the ups and downs of being on the “wrong” side of a story, the demise of investigative journalism and the new model offered by her website, The Truth Barrier.

art Justin Lieberman, <i>The Corrector in the High Castle</i> (installation view), 2009, Zach Feuer Gallery, New York

"Well, Then, I Guess That's No MacGuffin!"

Artists Justin Lieberman and Johan Grimonprez reconstruct alternate histories of the years following World War II, in two exhibitions currently on view in Chelsea.

By Cynthia Daignault